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By Valerie Estelle Frankel

what's at the back of Outlander fever—the hit tv drama’s attractiveness? Is it writer Diana Gabaldon’s teasing posts on social media? Is it the true historical past reimagined? The hugely emotional melodrama?
Or is it the take-charge heroine and the candy hero in a kilt? one of many show’s greatest attracts is its multigenre charm. Gabaldon—whose Outlander novels shape the foundation of the series—has referred to as it technology fiction, fable, romance, historic fiction and armed forces fiction, looking on her audience.
This number of new essays explores the sequence as a romance, a ghost tale, an epic trip, a comfy secret, a comedy of manners, a gothic mystery and a feminist solution to Game of Thrones, and considers the resource of its large appeal.

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Adoring Outlander: Essays on Fandom, Genre and the Female Audience by Valerie Estelle Frankel


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